Four-Monthly European Review of Psychoanalysis and Social Science
Editor in Chief: David Meghnagi (University of Rome Tre)
Co-Editor: Claudia Gina Hassan (University of Rome Tor Vergata)
Europa ricerca (Europe and Research)
ISSN 2282-0043 · Iscr. Tribunale di Roma n. 305/2012 dell’8 novembre 2012
Mediterranean migrations as experienced by migrants: Memories as a “lifeline”
Authors
Emiliana Mangone
Associate Professor, Department of Political and Communication Sciences [Dipartimento di Scienze Politiche e della Comunicazione], University of Salerno, Italy
Giovanna Russo
Adjunct Professor, Department of Educational Sciences "G.M. Bertin" [Dipartimento di Scienze dell'Educazio-ne "G.M. Bertin"], University of Bologna, Italy
Migration, Asylum-seekers, Public memory, Narratives, Identity, Social representation
Abstract
Research on migration mostly focuses on its quantitative aspect, often neglecting the foreigner’s point of view. This shift is, however, necessary, as reception and integration stem from two-way processes pivoting around the immigrants’ social representations of the host society and their intangible resources (cognitive and relational). This contribution analyses how the autobiographical material (“memories”) included in the application for refugee status can become a “lifeline”. The idea underpinning this exploratory study is that the experience of “suspended life” linked to such application has become an element of contemporary collective memory, due to its specifically performative and experiential character. This type of narrative constructs in-group belonging based on the shared memory of a founding past linked to trauma and violence. We focus on three key concepts: identity, social representation, and public memory. We analyse 53 statements of asylum-seekers transited in Italy through SPRARs and other reception projects between 2011 and 2014, collected in the Province of Bologna. Our aim is to bring out the narrative of the “trauma” linked to the experience of the asylum application as a symbol of a contemporary social drama. Our findings show that the migrants’ narratives followed a precise script sequence and become common heritage, enhancing solidarity and constructing collective memory.